The principles of making graphemes could not be
claimed to show themselves completely. The works,
even if fruitful, have been focused on the report
in ?Hunmin-Jeongeum?. Even the existing works
based upon ?Hunmin-Jeongeum? leave much to be
argued over their interpretations and faithfulness.
Now the author has no reasonable ground against
the two ascertained principles of making graphemes
in ?Hunmin- Jeongeum? and he has also no good
alternative. However, this statement does not
mean that the two principles--象形, 加劃--can explain
all cases. Take a series of labial consonants
‘ㅁ’, ‘ㅂ’, and ‘ㅍ’ for example, it certainly is
hard to explain them only with the principle of
adding stroke(加劃). Furthermore, in the case of
a grapheme ‘?’ it is far away outside the making
principles. According to the principles it should
have been made by modifying the basic grapheme
of a velaric consonantal series ‘ㄱ’. Yet it was
in fact made out of a glottal basic grapheme ‘ㅇ’
with an anomalous adding stroke. Of course, ?Hunmin-
Jeongeum? left some comments of the reason of
this strange graphic shape. But it is not easy
to interpret the report correctly, and it is equally
disputable to believe the record itself as it
is.
The author cannot assert on this
very spot the reason why these problems originated
and how they are to be understood. The clear elucidation
of these problems is a future task to be solved.
In such a process of elucidation one point is
worth noting. That is the idea that there might
have been some trials and errors in addition to
the revision of the original plan even in the
process of inventing Hangeul.
There is no room for doubt of the fact that the
sound represented by the grapheme ‘?’ was recognized
as a velaric consonant neither transparent nor
fortis(不淸不濁) at the time when ?Hunmin-Jeongeum?
was written. However,there is nothing to guarantee
that this was necessarily the case when its graphic
shape was determined.Furthermore the question
of why a velar sound was represented in the shape
of a glottal sound may be the wrong question,
for it is quite possible that when the shape was
determined the sound had been classified as a
glottal sound by mistakes. This line of reasoning
applies with respect to other problems as well.
Even if it must have been true that Hangeul was
completed by these principles, there is room for
doubt as to whether or not these principles alone
were used consistently from the first to the last.17)
Even without clear documentation of the trials
and errors and revision of orientation that took
place as Hangeul was developed,common would suggest
that this must have been the case.18)
There has been a great deal
of study done already on the documents,and now
it is necessary to look elsewhere for a new breakthrough.
The author firmly believes that the secret of
the successful invention of Hangeul was not the
pursuit of a high-level theory but a matter of
common sense and experience. Therefore, he thinks
that the right understanding of the making principles
should be based upon the same methodology. |
17)
Kim Wan-Jin (1983) already pointed out
this question, and remarked that Hangeul had not
been made according to the principles of xiangxing
and adding stroke from the very beginning.
18) Even so, it is not that there
was no philological clue at all. If there is any
clue at all, it is necessary to have a proper
presupposition for a right interpretation of the
clue. |